In the Kitchen with Trinity Mouzon Wofford

Eating at Home, Trinity Mouzon Wofford’s new book, starts from a clear premise: that the meals we return to each day are our most reliable way into the present. 

Not a manifesto—more a shift in focus, back to the kitchen, the table, the act itself. To mark its release, she hosted a seated lunch in Brooklyn, where a carrot cake with lemon turmeric icing—pulled from the book’s wholesome bakes chapter—set the tone. Plush with grated carrot, walnuts, and raisins, sliced thick and lacquered with a sharp, golden glaze, it’s the kind of cake that finds its way to the breakfast table over espresso.

(The recipe, fittingly, is one to keep.)

Recipe:

Carrot Cake with Lemon Tumeric Icing

Ingredients:

To make one 8½ by 4½-inch loaf

For the cake

  • 10 tablespoons (140g) unsalted butter 
  • ¾ cup plus 1 tablespoon (165g) light brown sugar 
  • 3 eggs, at room temperature 
  • 1 teaspoon vanilla extract 
  • 1⅔ cups (200g) all-purpose flour 
  • 1 teaspoon ground cinnamon 
  • ½ teaspoon sea salt 
  • 1 teaspoon baking powder 
  • ¼ teaspoon baking soda 
  • ¼ teaspoon freshly grated nutmeg 
  • 3 medium carrots, scrubbed, trimmed, and coarsely grated (about 2 cups/200g) 
  • ¾ cup (100g) finely chopped walnuts or pecans 
  • ¼ cup (35g) raisins 

For the icing

  • 4 ounces (113g) cream cheese, at room temperature 
  • 4 tablespoons (55g) unsalted butter, at room temperature 
  • 1 teaspoon grated lemon zest 
  • ¼ teaspoon sea salt 
  • ½ cup (56g) powdered sugar 
  • ½ teaspoon ground turmeric 
  • 2 tablespoons fresh lemon juice 
To make:

For the cake

Preheat the oven to 350°F. 

Melt the butter in a medium pot on the stove over medium-low heat. Turn off the heat. Scoop out 1 tablespoon and use it to grease an 8 ½ by 4 ½-inch loaf pan. Line the pan with a sheet of parchment paper along the longer sides, leaving at least 1 inch overhang. 

Pour the rest of the melted butter into a large bowl. Use a whisk to beat in the brown sugar until the sugar has dissolved. Beat in the eggs and the vanilla until smooth. 

In a small bowl, whisk together the flour, cinnamon, salt, baking powder, baking soda, and nutmeg. 

Use a spatula to fold the dry mixture into the wet mixture until just barely incorporated (there should be streaks of flour). Fold in the carrots, walnuts, and raisins until just combined (the batter will be thick). Scrape the batter into the prepared pan and smooth the top with the spatula. 

Bake until a cake tester inserted into the center comes out clean, 55 to 65 minutes. 

Let the cake cool in the pan for 20 minutes, then pull it out by the parchment sling onto a rack to cool completely. 

For the icing

In a bowl, combine the cream cheese, butter, lemon zest, and salt and use a whisk to beat until very smooth. Slowly beat in the powdered sugar and turmeric until light and creamy in texture and yellow in color. Slowly whisk in the lemon juice until the mixture is looser and drizzle-friendly. 

Remove the parchment from the cooled cake and set it on the wire rack, over a sheet pan to catch drips. Spoon the icing over the cake to coat the top, letting it naturally drip down the sides. Refrigerate for at least 1 hour to let the icing set a bit, or serve immediately, using a serrated knife to cut thick slices. 

For Wofford, taste isn’t something you acquire so much as something you uncover—“an unobstructed expression of one’s own essence.” The less concerned she’s become with how she’s perceived, the more clearly that sensibility comes through, whether in her writing, her garden, or the way she cooks. With time, she’s grown more particular, drawn to people who are fully themselves; in that company, her own instincts sharpen.

Those instincts carry into the kitchen, where she keeps things deliberately loose. Her recipes—scrap stocks, dashi folded into eggs, ingredients framed as optional—favour attention over precision. Cooking, in her view, is less about getting things exactly right and more about responding to what’s in front of you: tasting, adjusting, improvising. A small, daily practice in flexibility, and in enjoying it.

Her cooking moves easily across influences. Japanese home cooking, shaped by her husband Issey’s family in Kumamoto, sits alongside the African-diaspora dishes she grew up with—collards, black-eyed peas, slow, familiar stews. Early days building Golde taught her to rely on what she calls “hardworking produce”—carrots, potatoes, sturdy staples sourced from greenmarkets. More recently, she’s been looking further back, working with her mother to recover her great-grandmother’s recipes, extending a lineage shaped before the era of convenience.

Even her idea of a fallback meal holds onto that sense of care. A one-pot broccoli pasta—what she calls “restaurant pasta”—is simple, but finished with enough intention to feel like something more, built from pasta water and toasted nuts. Because even at the end of a long day, she maintains, dinner can still carry a bit of romance—something that gives you back a sense of agency.

And then there are the small constants: a skillet jam, made often and without fuss, using whatever fruit is on hand—frozen raspberries included—kept in the fridge and folded into daily life. Spooned over yogurt, stirred into oatmeal, layered into cakes. Like the carrot cake that anchors the book, it’s a reminder that the point isn’t perfection. It’s paying attention—and returning to it, again and again.

Wofford describes the book as a homegrown project in the truest sense. Now based in the Hudson Valley, and a fourth-generation Upstate New Yorker, she made it entirely within her own orbit—photographed at home, with her husband Issey carving the linocut prints that appear on the cover and throughout, each one pulled from their kitchen table. There’s a lived-in quality to it all, something shaped slowly and by hand.

That same spirit carried into the Brooklyn gathering, brought to life in collaboration with Erin of Underwater Weaving. The two first met at a mother’s retreat, bonding over a shared appreciation for craft before Wofford discovered Erin’s family-run basketry practice. What followed has been an easy, ongoing exchange—small projects, mutual admiration, a shared language of materials and care. For the lunch, Erin filled the rooms with loose, just-cut arrangements and her woven baskets—set on tables, tucked into corners, used and moved rather than simply placed—so the space felt like it had been lived in all morning, not staged for an afternoon.

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About In The Kitchen With

PORTA offers a uniquely honed edit of homewares from Europe bringing unique character and thoughtful design to your table and home in a way that simultaneously celebrates tradition while embracing contemporary style. Through our travels, interests and obsessions we bring storied traditions and histories to light so they can be engaged with in new ways. Many chefs explore and play with similar interests and ideas through food, and in our seriesIn The Kitchen With…we hope to highlight the joy and creativity that happens from stove to table by inviting chefs to whip up something wonderful on (or accessorized by) PORTA products. Each chef is generously sharing their recipe with us so that we can all recreate the magic at home, and answering a few questions about their love of food and approach to bringing people together around the table.